![]() On the record's rock-tinged tracks, Know's overpowering licks seem to render a stop payment on Mos' creativity. "War" regurgitates a similar tune, adding a fairly benign critique of its titular subject, depressingly offering the impression that Mos believes a loud message makes an acceptable substitute for a thoughtful one. Suffice to say, Mos' cry, "We show you how to really make a moshpit bounce" is unconvincing at best. Yet both "Freaky Black Greetings" and "Zimzallabim" borrow heavily from the Chocolate Starfish playbook. Granted, more African-American creative input in modern rock would be a wonderful thing- and Mos' attempt is laudable- but as he says, "I ain't try to fuck with Limp Bizkit," suggesting that rap and rock are two very different beasts whose collusion could be disastrous. My prayers are with Chi.Curiously, despite Mos' on-the-mark vocalizing about the neglected acknowledgment of the Afro-American influence on rock, he chose the arguably least "black" form to express himself. Thanks again for the fantastic share, which also works as a reminder to me of the work I have to do to give back to the Deftone's community. I also have other audio from the early days, all of which I plan on eventually sharing here. But I have to find the time to actually transfer the material. I plan on sharing it here someday w/ some early videos a friend of mine shot back in the day from a few hometown (Sacramento) shows as well as footage from two shows from Utah(!!) on one of the band's earliest tours. It is a Deftones original track that was occasionally part of their live set before and even shortly after the release of Adrenaline. To my knowledge Quirk was never released in any form. ![]() Teething was later re-recorded and released on soundtrack for the Crow City of Angels. Teething later appeared as a b-side on a cassette single. My copy also included non-album tracks Teething and Quirk. Not long after this show, advance tapes of Deftone's Adrenaline beginning circulating. It was a night to remember, to say the least, at the tiny Club 369, which I think had a capacity of about 250 people. Anyways, Deftones were in the middle a bill that included opener hed pe playing only their second show, and Korn were the headliners, whose ST release had only been out for a few months. The Robinson versions of these tracks were recorded w/ more of the classic Robinson sound and differ sonically significantly from the Adrenaline versions. Their Root and Nosebleed demo produced by Ross Robinson was making the rounds at this time. I'm an old Deftones fan who was introduced to the Deftones at a club named "Club 369" in Fullerton, CA IN 1994. Great capture and thanks again for all your efforts in finding the sweet sound spot in the club and withstanding the beating you likely took from the ecstatic audience. WOW! Thank you for sharing!! I think your recording sounds outstanding very punchy and atmospheric. Someone commented on the torrent page, and said: Overall, dope, dope performance awesomely recorded. Except the songs from Diamond Eyes, no real other setlist surprise, except maybe Birthmark. Deftones are definitely going back to their game. In my opinion, Chino still needs to practice on some Diamond Eyes songs (especially Sextape which didn't sound really good, to me) BUT he's making more progress everyday, and the band itself sounds amazing. I guess they were pretty fuckin' excited. Almost all of them were played a little too fast, though, but lots of other songs were too. Not least than SEVEN songs from Diamond Eyes played. Notes: First solid real concrete (call it whatever you like) show from 2010. ![]() Source: Zoom H2 48KHz, 24 bit - Audacity (to break up wav files) - FLAC level 8 (RECORDED BY " INKSLINGER13 ") Quote from: Vesanic on Apr 29, 2010, 08:29 AM Deftones
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